You'd expect more from a supergroup

I was ironing today, something I do once a month whether we need ironed clothes or not.

(Actually, at least twice a year I get to skip my monthly ironing day, because my priceless mother-in-law is visiting and does it for me - way better than I do it, too, ironing not just the things that have been crumpled like tissue paper but even the children's clothes, which is something I'll only do at Christmas and Easter.)

Anyway, I had my "epic win" playlist going on the old iPod, and "Wildest Dreams" came on. Asia... ah, Asia. Asia was the band that introduced me to (putative) hard rock, back in 1982. (Yes, I know it's prog.) My taste in music in my first two years of high school was heavily influenced by the fact that I was living, breathing, eating and drinking musical theater; then I moved to a much smaller school with a great drama teacher but a very small pool of performers. (We tried, in my junior year, to put on Stop the World, I Want To Get Off, but had to cancel the whole endeavor because the only guy to try out for the male lead was also instrumental to the football team's prospects, and his priorities were more with the team than the ensemble. A lucky thing, too, because I was cast in the female lead role, and I was NEVER going to get the difference between a German and a Russian accent, much less be able to do those AND British AND whatever-all other accents that part required. It's rather a silly show anyway...)

So, with only musical theater in my head, I tended to go for the bubble-gum pop in my radio listening. (Radio: that thing in the car that sometimes plays songs, often plays commercials, and too often plays happy talk.) But then a guy stuck his Walkman headphones over my ears and cranked up some Asia, and suddenly a new dawn... um, dawned: hard rock could be melodic! Who knew?

Back to my ironing. I'm singing along to "Wildest Dreams," and we (John Wetton and I) got to the part about "They recommended euthanasia for nonconformists anywhere." Now, this afternoon was not the first time this line had bugged me, but for some reason it bugged me especially today; recall that this was the Reagan era, and that the chorus of "Wildest Dreams" says, "They fight (they fight) for king (for king) and country," and the only king they might've been referring to was Reagan, the clown-king of "progressive" fantasy. And what struck me was this:

Who created reeducation camps? Who undertakes "diversity" and "sensitivity" training? Who spearheaded hate-speech rules on campuses and elsewhere? Who goes immediately, in these times, to accusations of racism when policy disagreements occur?

Hint: it ain't Reagan's side, no matter how far from Reagan the American Right might've come.